I began my own studies on the subject with works much earlier than Robinson Crusoe, and made my way through a variety of novels which were necessary for my purpose, but which in the reading gave me no pleasure whatever. I never worked harder than at the Arcadia, or read more detestable trash than the stories written by Mrs. Aphra Behn; but these two were necessary to my purpose, which was not only to give an estimate of the novels as I found them, but to describe how it had come to pass that the English novels of the present day have become what they are, to point out the effects which they have produced, and to inquire whether their great popularity has on the whole done good or evil to the people who read them. I still think that the book is one well worthy to be written. Soon it passed altogether out of his sight: it was just a sightless singing out of the winds of March. Then slowly descending it appeared again, and its song grew louder. Just before it dropped into its tussock of grass the song ceased. Rapid writing will no doubt give rise to inaccuracy 鈥?chiefly because the ear, quick and true as may be its operation, will occasionally break down under pressure, and, before a sentence be closed, will forget the nature of the composition with which it was commenced. A singular nominative will be disgraced by a plural verb, because other pluralities have intervened and have tempted the ear into plural tendencies. Tautologies will occur, because the ear, in demanding fresh emphasis, has forgotten that the desired force has been already expressed. I need not multiply these causes of error, which must have been stumbling-blocks indeed when men wrote in the long sentences of Gibbon, but which Macaulay, with his multiplicity of divisions, has done so much to enable us to avoid. A rapid writer will hardly avoid these errors altogether. Speaking of myself, I am ready to declare that, with much training, I have been unable to avoid them. But the writer for the press is rarely called upon 鈥?a writer of books should never be called upon 鈥?to send his manuscript hot from his hand to the printer. It has been my practice to read everything four times at least 鈥?thrice in manuscript and once in print. Very much of my work I have read twice in print. In spite of this I know that inaccuracies have crept through 鈥?not single spies, but in battalions. From this I gather that the supervision has been insufficient, not that the work itself has been done too fast. I am quite sure that those passages which have been written with the greatest stress of labour, and consequently with the greatest haste, have been the most effective and by no means the most inaccurate. 日本一本免费一二三区-2019无马高清不卡-免费最新精品网站 Isola stood listening to their footsteps, as they passed the little painted shrine on the hill path. She heard them give the time of day to a party of peasant women, with empty[Pg 242] baskets on their heads, going up to gather the last of the olives. Then she roamed about the wooded valley and the slope of the hill towards Colla for an hour or two, and then, growing suddenly tired, she crept home, in time to sit beside her baby while he slept his placid noontide sleep. She bent over the little rosebud mouth and kissed it, in a rapture of maternal love. 鈥極h, I have too many engagements to think of that,鈥?she said, 鈥榓nd you would not be able to come with me!鈥? 63It's just about impossible to be incongruent whenyou are operating from inside any kind of attitude, usefulor otherwise. Because your attitude precedes you, itis an essential component of the first impression youmake on new acquaintances. She had risen from her seat on the low grassy bank, and she gave him her hand, half in pleasure, half in a nervous apprehension which his keen eye was quick to perceive. His life had been spent in dealings with the souls of men and women, and he had learnt to read those living pages as easily as he read Plato or Spinosa.